From One Minister to Another , Where Is the Change in Ghana’s Creative Sector?

With Aseibu Amanfi

Months ago, I stood before Hon. Andrew Kofi Egyapa Mercer, then Minister-designate for Tourism, Arts & Culture, and asked a question that has refused to die:

Why accept the role when you lack the industry background and experience needed to lead it effectively?

It was not a question meant to embarrass. It was a question of accountability, born out of my concern for the tourism and creative arts sector that continues to suffer neglect. I wanted the Minister, and indeed the government, to confront the reality that this industry requires more than political appointments — it requires vision, competence, and sustained commitment.

Different Ministers, Same Old Story

Today, under new leadership, the same questions remain unanswered. The faces in charge may have changed, but the results have not.

• The Kumasi Amphitheatre project still lies dormant.
• The much-anticipated Creative Arts Institute at Kwadaso remains unfulfilled.
• Practitioners continue to face poor infrastructure, limited funding, and a lack of clear policy direction.

These projects are not just construction works or political talking points. They are supposed to be the backbone of Ghana’s cultural and creative economy  projects that could create jobs, drive investment, and position Ghana as a cultural powerhouse in Africa. Yet they remain stuck in the quicksand of delay.

Why My Question Still Stands

When I asked Hon. Egyapa Mercer about competence, some dismissed it as unnecessary boldness. But time has vindicated that question. Leadership without industry grounding often produces promises without progress.

How many times must we hear grand speeches and pledges, only to return months later to the same uncompleted projects? How long can we keep recycling ministries without demanding visible results?

A Call for Real Change

This is not about personalities, parties, or political colours. It is about responsibility to a sector that holds enormous potential. Ghana’s creative industry is not a luxury it is an economic engine. When harnessed properly, it can employ thousands, attract global partnerships, and showcase Ghana’s cultural heritage to the world.

But for that to happen, leaders must go beyond promises. They must deliver. The Kumasi Amphitheatre must rise. The Kwadaso Institute must open its doors. Practitioners must feel empowered, not abandoned.

Until that day comes, my question will continue to echo across administrations:

Where is the change in Ghana’s creative sector?

01 October